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In his studio, Sam Winston appears less artist, more linguistic alchemist. He is experimenting with manufacturing inks out of tobacco from Marlboro cigarettes, the juice of Belarusian chokeberries imported in a 100g packet small enough to make it past customs and a strange brew of kohl eyeliner from the Middle East and galena – the mineral form of lead sulfide – from Wales.
The coloured substances are used to conjure words on to giant canvas flags that will soon hang from the ceiling of London’s Barbican Centre –...
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