Back in 2008, Transport for London came up with a ruse to dispel antisocial behaviour: it piped classical music into supposedly problematic stations in the crime hotspots of south London. I think that was when I realised just how far the association of classical music with relaxing affect instead of real emotion had gone. Once an entire genre has become associated with relaxification, it’s enough for you to hear the sound of an orchestra and think, “This isn’t for me”. Whatever its BPM, classical music will only be a backdrop, the sound of luxury...
Why Max Richter’s Hamnet needle-drop left me cold | Tom Service on music
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